Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Following the retreat of Russian forces, Heorhiy and Yaryna return to their home in Ukraine and attempt to recover from the lingering trauma left by the conflict. In the unsettling form of a live grenade hidden behind the fridge, the director introduces the ghosts of war into a seemingly safe space as the couple's perception of reality begins to crumble around them. A defiant slap in the face to the absurdity of war.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
An incredible documentary showcasing the difficulties of living in a crumbling Rust Belt city.
Two Summers ago, on May 27th, 2022, the theatrical cinematic realms were re-awakened from their post-COVID dormant state of being by a little film titled "Top Gun: Maverick". It re-introduced us to the absolute elation of seeing not only a highly anticipated (and, granted, 36 years in the making!) sequel, but the return of the quintessential Summer blockbuster to witness on the BIG screen again.
I believe in homages, but there's a proper way to borrow a creative idea instead of making it appear as if you hit the copy and paste button. Most likely, anyone is better off simply reading the books. Or just put on Scream.
Amberley Snyder, a young woman whose injury leaves her with a disability, shows viewers that her handicapped state won't stop her from competition.
It's chock full of dream-come-true moments for Spidey fans, but its lack of substance reeks of a self-indulgence that is rare even in fan fiction