In Da Cut is a comically inspiring story of a young aspiring film maker, fresh out of school, who feels ready to take on the world - by chasing the illusion of beautiful women, big cash and quick recognition in the film circuit. On the path of fulfilling his life long dreams he comes to the shocking revelation that nothing in Hollywood is personal; it's just show business!
Given that Charlie Cox is having a moment with the rise in interest in 'Daredevil,' let's return to one of his earlier movies: the fantasy romance 'Stardust' where he shines amidst a slew of characters, from a stereotypical witch to a crossdressing pirate.
On March 31st, International Trans Day of Visibility, following some COVID related delays, the trailer was finally dropped, and although Taylour Paige and Riley Keough look to impress as lead characters Zola and Stefani, a brief cameo from a queer icon was what convinced me I have to see this movie.
A 2022 remake of the previous films of the same name, but with a more diverse cast, increasing representation and diversity.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
In addition to the cast being delightfully diverse this time around, the film was just loosely-plotted and action-packed enough to keep a casual fan like myself entertained. While I do agree that the writing of Cole left much to be desired for an original character thrust into a preconceived universe, none of the characters seemed particularly fleshed out in terms of personality; however, I think that's to be expected when you're watching a film literally inspired by a video game.
It’s been five months since Wayward premiered on Netflix and it still has some of us in a choke-hold.
