Films that Avert the Idea Animation’s Only for Kids
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.

It's 1989 in East Berlin: Suzie is kicked out of school shortly before she graduates from high school and has to defend herself as a worker in the cable factory. However, a randomly taken photo leads her to the fashion world of the GDR. The editor-in-chief Elsa Wilbrodt put her on the cover of Sibylle, the fashion magazine of the GDR. In the Berlin underground scene she made the acquaintance of the gay fashion designer Rudi and the photographer Coyote. Suzie must decide if she's brave enough to leave the old strands behind forever.
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.
The more we learned with each passing minute the bigger the reveal. This film ends with a serious bang and it was truly a joy to watch.
Ever heard of the bad boy type? The type of man who's sexy yet broody, or the type of man who’s dangerous but has a sensitive side? It’s a well-known stereotype that women are attracted to villains. The question is: why are we?
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
Disney's live-action remake is vibrant and beautiful, with updated music and classic enthusiasm, but it fails to push the envelope and provide nuance for Ursula.