Provides a colorful portrait of dancer Mura Dehn. Born and trained in Russia, she went to Paris in 1925, met Josephine Baker and discovered jazz. Tells how she came to New York and choreographed jazz tunes. Includes a live interview with Mura Dehn along with archival footage. In the 1930’s, the heart of jazz dancing was Harlem’s Savoy Ballroom. Mura Dehn, a Russian dancer who was converted to jazz dance by Josephine Baker, spent her life documenting this cultural explosion from jazz to be-bop. As excerpts of her film, THE SPIRIT MOVES are shown, she discusses the eras. The film concludes with Dehn, at 82, filming a break-dance troupe. Blue Ribbon winner, American Film Festival.
After the untimely death of his brother by way of an ambush in Kandahar, Afghanistan, the protagonist, ‘81’(Alan Ritchson) unsuccessfully makes several attempts to become an Army Ranger. On his last mission to complete the Ranger selection process he and his squad encounter an otherworldly ‘soldier’.
When most of us think about diversity in film, we usually think about three things: race, gender, and disabilities. However, there is a forgotten topic... age. These are 12 of the best films about growing old.
Nightbooks, the newest entry in children's horror, honors classic horror films, focuses on themes of acceptance, and has awesome production design.
In a post-Gamergate media landscape, it's ambitious to have a film confront the harsh reactions to women in gaming from a comedic lens.
This captivating film can only be truly appreciated by seeing it firsthand. There are not enough words to describe the terrible beauty one experiences while watching it.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
