Halloween Flicks Pt. 2
Four more classic horror films that are entertaining even if occasionally absurd.

An intimate, eye-opening account of a lesbian baby boom in Canada during a period of rapid legal reform and social change. It is told entirely through the hilarious, rueful, self-reflective words of sixteen diverse parents (of newborns to six-year-olds) and would-bees, living in Toronto and London, Ontario. They take different sides on every controversy (known donors v frozen, liking clinics or hating them, how much biology matters, being ‘two mommies’ or ‘a mom and an other parent’, seeing homophobia everywhere or nowhere), but they are all passionately articulate about this strange new world of queer family-making.
Four more classic horror films that are entertaining even if occasionally absurd.
Moonlight is a film that will certainly be remembered for how it won Best Picture, but the movie itself should be known for its excellent representation of one of the most underrepresented groups in film: Black, gay men.
An apocalyptic tale captivates the nation as it teaches us to love even in the hardest situations.
Curry Barker’s film, Obsession, soars in success this past May leaving everyone who has watched it in extreme chills and disturbance. And taking it to new levels of why men are always the root of horror films even when they try not to be.
"King Richard" paints a nuanced portrait of a Black father trying to ensure his daughters’ success in a racist, misogynistic world. Yet, Richard and his kids overcome that fear and adversity to succeed.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch