Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Days before Valentine's day and their wedding, Cindy Hunter, editor-in-chief of a tabloid and Damon Tuckland, a successful therapist encounter a strange plant that magically puts Cindy's mind in Damon's body and vice versa. Now the couple really finds out how the other half lives. In a series of comic mishaps at work, with relatives and at home, Cindy and Damon must become better people and figure out a way to reverse the "awkward" situation before their wedding or face a lifetime as each other. It's the ultimate body-swapping comedy with a heart that gives a brand-new meaning to the term "The Opposite Sex".
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
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