One livid dawn, a cold and damp wind blows as a man walks alone through the darkness. Deputy Police Superintendent Francesco Prencipe is on his way to meet his best friend, Judge Giovanni Mastropaolo whom he hasn't seen for almost two years. The men drive for two hours and exchange but a few words. Later that morning, the Judge is found dead, a single gunshot wound to his head. Francesco is the last person who saw him and his fingerprints are the only ones found in the house. But is he the murderer?
Andrea Zaccariello
Director
Riccardo Scamarcio
Francesco Prencipe
Alessio Boni
Giovanni Mastropaolo
Edoardo Pesce
Giorgio
Claudia Gerini
Paola Maralfa
Barbara Ronchi
Vittoria
Sarah Felberbaum
Beatrice
Vincenzo De Michele
Michele Monno
Caterina Shulha
Katherine
Donato Placido
Carcerato
Giovanni Galati
Uomo Professore
Claudia Lerro
Presidente Corte d'Assise
In a film where a Black couple is framed to be the lead characters, they still managed to get shuffled off to the sidelines. The enthusiastic cast delivers well on goofy bits- but can only go so far before they begin to fall flat.
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.
Naked Gun: The New Police Squad Team delivers exactly what fans want: relentless, expertly crafted chaos that honors the original while cranking everything up to eleven. The gags fire at machine-gun pace—sight jokes layered with wordplay and physical comedy so outrageous it borders on art. It's gleefully self-aware without being cynical, silly without being stupid, and maintains that perfect ZAZ-style balance of treating absolute absurdity with complete seriousness. The film knows exactly what it is: a comedy missile designed for maximum laughs, and it hits its target with surgical precision. Pure, unhinged entertainment that proves spoof comedy still has plenty of life left in it.
In light of the trailer release for the Five Nights at Freddy's sequel, it’s due time to talk about the first movie.
Why did Māhū, a term once respected in Hawaiian culture, become so controversial?
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.