"Godzilla vs. Kong" is pure, stupid fun
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.

A banker who had fallen out with his family stipulated in his will that his fortune should only pass to the person in possession of the five keys he distributed to his relatives during his lifetime 80 years after his death. Only with all five keys can the cassette in the vault of a bank be opened, granting access to the deceased's assets. 75 years after the banker's death, the fugitive crook Murphy comes into possession of one of the keys, together with a list of the names of the owners of the four remaining keys. Over the next five years, he manages to obtain two more keys by criminal means. Now he just has to get the fourth key from Carlo and the fifth key from the young, rich widow Maria. Any means will do. But the unscrupulous villain has not reckoned with Carlo's shrewdness, who initially falls under suspicion himself, but then takes up the pursuit of the criminal.
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.
‘Exhibiting Forgiveness’ seeks to ask one question, “What do you do when your parents are the source of your pain?”
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