The Last Twenty Minutes of 1999's Audition
Audition should be on everyone's list of Greatest Horror Film. So I urge you to give it a watch. Maybe watch the last twenty minutes with your hands in front of your eyes.

Not everyone deserves a second chance. The experienced investigator Wallat is sure of that - and certainly not the child murderer Hagenow, who is released after 15 years in prison, although he is still considered dangerous. Wallat takes over the management of an LKA team that monitors the potential repeat offender. His "unofficial" assignment does not fit into any service manual: Wallat is supposed to catch Hagenow in the act - in good time, of course - in order to put him behind bars forever. Meanwhile, the ex-convict moves into a room in the house of the idealistic village pastor Berkenbusch and starts a job at the local sawmill. The LKA team serves him around the clock. When Wallat loses sight of him during a night walk, a nightmare begins the next morning: Max, the eight-year-old son of Berkenbusch's housekeeper, has disappeared without a trace
Audition should be on everyone's list of Greatest Horror Film. So I urge you to give it a watch. Maybe watch the last twenty minutes with your hands in front of your eyes.
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.
Darren Arronofsky focuses on diverse and heartbreaking stories about the human experience.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
This film is based off of The Diary of a Young Girl, which was written during the Holocaust period.