San Junipero: Queer Heaven on Earth
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.

A film director, disillusioned with the state of the world, decides to intervene in life itself by making a movie. He mortgages his family’s land and country house - not because his goal is to shoot a film, but to create a brand‐new model of production and, above all, a new ethics of creation. He publishes an impassioned manifesto calling on young people to join him, and soon the country house overflows with hopeful applicants who, inspired by his words, seek not just a job but the thrilling adventure of filmmaking and a chance at a new life.
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.
Star Wars is better if you believe that Luke Skywalker is gay. You can't change my mind.
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.
Wilde’s coming-of-age comedy directorial debut is simultaneously hilarious and entertaining, and remarkably heartfelt and relatable.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.