Media as the Evil in Eddington
Eddington attempts to capture how media is intertwined with the uncomfortable present.

As a young man, Martin married the daughter of the farm, removed his grandfather from the board of directors, and, with his energy and willingness to work, turned the farm around so that it is now the largest and best-maintained farm in the entire region. No one likes being around Martin. Ruthlessness and stubbornness are fundamental elements of his character. He cannot tolerate anyone else around him. His grandfather and wife have long since resigned themselves to the situation, but now something must be done.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
On March 31st, International Trans Day of Visibility, following some COVID related delays, the trailer was finally dropped, and although Taylour Paige and Riley Keough look to impress as lead characters Zola and Stefani, a brief cameo from a queer icon was what convinced me I have to see this movie.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
The film seems like an extreme interpretation of the conspiracy theorists that exist in real life. And then, there’s the twist.
A pampered dog who gets lost and has to learn to live on his own while being flexible with surroundings.
"Rodgers' & Hammerstein's Cinderella" wasn’t just a fairytale, it's a Black girl's fairytale. It was a fantasy world where the undeniable beauty of Black girls and Women was celebrated and beloved.