A Conversation With the Filmmakers of 'When Men Were Men'
Hours before their line-up of screenings for Trans Awareness Week began, the filmmakers of 'When Men Were Men' chatted with me about the film's personal exploration of masculinity.

Opera in one prologue and one act. Music and libretto by Luigi Dallapiccola. Mattia Olivieri in the title role, Ángeles Blancas Gulín as La Madre. Orchestra and Chorus of the Teatro dell'Opera di Roma conducted by Michele Mariotti. Directed by Calixto Bieito.
Hours before their line-up of screenings for Trans Awareness Week began, the filmmakers of 'When Men Were Men' chatted with me about the film's personal exploration of masculinity.
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
The Outer Senshi get characterization and some stellar moments in the second part of the Eternal movie duo.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
The multifaceted musical represents America in the 1960s and the battle against bigotry as an ensemble cast portrays how to fight for the limelight.
This short film was an overall creative success.