
Geronimo is a man of standing with a business to run and two daughters, Elisetta and Carolina, to marry off. A little nostalgic for his native Italy, Geronimo runs a thriving cake boutique in 1950’s New York. Between an aristocratic customer and a humble delivery boy, will his daughters make the right choices in love? Il matrimonio segreto, a dramma giocoso in two acts, is Domenico Cimarosa’s best-known opera. The first performance took place on 7 February 1792 at the Hofburgtheater in Vienna in the presence of Emperor Leopold II, who liked it so much that, after giving dinner to the whole company, he asked for a complete second performance - perhaps the longest encore in history. As with the best opera buffa of the 18th-century, it contains a plot full of impossible situations (might just one of the daughters be married already?), elaborate disguises and, of course, a happy ending.
Stand and Deliver is an inspirational classic from 1988 starring Edward James Olmos as Jaime Escalante, and his class of rag tag students in East Los Angeles. It’s the story of how a new teacher shows a motley group of students in the inner city with backgrounds as gang members, dishwashers, and mechanics — the power of self-determination. He teaches the teenagers to believe in themselves through algebra and calculus.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
The accountant in question is Christian Wolff (Ben Affleck), who’s neurodivergent. We know this because at a dating event, he bores women with tax advice. He also places his breakfast foods in neat stacks and has no friends.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.