Time To Get Critical About Representation in “Shameless”
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.

The story of three sisters living in a shanty town. The eldest sister is married, while the middle sister is a widowed and unhappy woman. The youngest sister, who is in a relationship with a young man, catches the eye of Hasan, a driver who lives with her widowed sister. The unfortunate girl flees, but Hasan pursues her... Additionally, her father's husband does not leave his sister-in-law alone. He continues his aggressive behavior whenever he gets the chance. Driver Hasan's intentions are serious. He wants to marry her. But he cannot give up on his widowed sister-in-law either.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
Most movies give you their point upfront, while others make you think it’s about a specific topic, then reveal that the story is about something else. Pink Lady belongs somewhere in the middle of those two categories.
Rap Sh!t has been confirmed for a second season by HBO! Go watch it and support this creative exploration of Hip-Hop culture from Issa Rae.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
Adventure Time, Legend of Korra, Steven Universe, The Loud House, The Hollow, OK-K.O.! Let’s Be Heroes, The Dragon Prince, etc!
Typically in film, characters suffering from mental illness are used as plot devices or exaggerated for comedy. 'The House that Jack Built's representation exceeds in accuracy and realism of OCD.