'The Mad Woman and the Feminist' Review: MiamisFF
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.

A film about painting and its denial concerning Giordano struggling with the Sleeping Beauty, this is the challenge. Will art, free of museums and academies be able to give back to the child raped and abandoned on the snow, the desire to go on living? Giordano, Prince Charming bearing butterfly catchers and rotating optical games, plods along sinking into the snow and… but revolutionary creativity is not the one that makes the bird in the cage sink: is it the reason why the imprisoned bird breaks the cage.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
Indie director, Niki Caro (known for 'Whale Rider') directs the live-action 'Mulan' and sets another example of strong females fighting against gender inequality.
Jennifer Lopez leads the story as Zoe, a determined woman who opts for artificial insemination after a string of failed relationships. Lopez's portrayal adds depth and warmth to Zoe
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.