
10-year-old Saïd, a child of Algerian immigrants, is talented, motivated and would like to be a good student. But the conditions at the collège he attends in the Parisian banlieue hardly give him a chance. And then he is drawn into the criminal machinations of his brother.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
The death of Grace's father brings challenges as the family tries to preserve their ranch.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
After two months of refusing to see this movie, I have decided that it’s finally Morbin’ time. After its re-release as a box office bomb; I watched it just to laugh at it. But, I was also surprised, because 'Morbius' is a queer allegory.