
This is a 1920s Italian military comedy directed by Eugenio Perego, starring Bartolomeo Pagano and set amid drills and humorous misunderstandings. The film plays on the trope of the naive hero in a farcical and patriotic setting.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
A few episodes in, I realized the most prominent theme of In The Long Run wasn't culture, race or even finding independence--but the idea of belonging.
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.