Made in 1968, within the framework of the activities of the Cinemazero collective, Il balla balla could be regarded as Benvenuti’s own The Big Shave (1967, Martin Scorsese). Influenced by the manners of underground cinema, it provides a timeless indictment of the political and economical exploitation of youths.
Disney has kept its word and allowed a new generation of Black and/or African storytellers to tell their own original stories. The question remains, will the public keep their word?
An aspect of She-Ra that I find refreshing is even though a large portion of the cast is on the LGBTQ+ Spectrum, being gay is never mentioned. While this might initially sound like a negative thing, in the show’s land of Etheria being on the gay spectrum is shown to be so common and normalized that straight isn’t the default. As much as there is to appreciate about narratives revolving around the obstacles that may come from being non-heteronormative, it’s nice to get immersed in a world where no one bats an eye at all to any sort of differing identity.
"The Platform" is horror and science fiction film doubling as a visual commentary on capitalism and economic inequality. The movie is not for the faint of heart nor the viewer hoping for political neutrality in their film's depth.
An enchanted school for young heroes and villains brings the battle between good and evil in this fantasy movie.
The Forge is a moving story about a young man’s search for purpose. Through mentorship, discipline, and faith in God, his life is transformed from confusion into clarity, reminding us that true greatness is shaped in the fire of surrender and growth.
