Everything The Critics Got Wrong About ‘Pinocchio’
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.

This year’s gallery of artistically inspiring portraits of uncompromising eccentrics (among them The Hanging of Stuart Cornfeld, Robert Richardson: The White Devil and A Pint of Ink) features another unobtrusive stand-out in the shape of Igor Luther, a key figure of Slovak and European cinematography. Ivan Ostrochovský’s perspective is rare, dynamic and also meditative, while Luther himself co-authored the project during the last few months of his life. Works such as Juraj Jakubisko’s Birds, Orphans and Fools, Volker Schlöndorff’s The Tin Drum and Andrzej Wajda’s Danton, in the persuasive words of their creators, wouldn't have the same timeless energy today if it weren't for Luther's visionary endeavours.
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.
Portraying how easy it is to be an ally heavily benefits the majority audience. The more we encourage it, normalize it, and give people the tools to become one, the sooner we can co-exist peacefully.
A young woman who dislikes dogs changes forever when a beloved pet comes into her life in this heartwarming story for animal lovers.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.