Pro-Capitalism and other Antiquated Ideas on Court TV
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.

Pello, a bank branch manager, is arrested on charges of embezzlement. Abandoned by his superior (who got him involved in the heist), Pello escapes from the court room and goes on the run. With no papers, no money and no family or friends he can trust, he changes identity so that he can stay undercover for a time. By chance he ends up hiding in a building that has been occupied by a group of people evicted from their homes who are fighting his bank. Pello gains their trust, all the time planning to steal money from them to pay for false documentation so that he can escape abroad and start a new life.
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
The cancelling of these series is being blamed on the writers' strike and low viewership, but it's just the latest example of the industry's lack of appreciation for stories about queer women.
It’s a cool looking Marvel character right off the page! He’s got these glowing eyes and he just kicks ass everywhere he goes, seemingly impervious to pain.
Stylish, slow, and somewhat standoffish, Human Resource examines corporate life from the perspective of a female HR employee as she interviews job candidates while also deciding whether to keep her newly discovered pregnancy.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.