
When a former equestrian champion returns home from college, she finds that her best friend is taking her place training for an upcoming competition. As she struggles with the injury that prevents her from riding again, the tension between the two mounts and their trainer encourages them to lean on each other, and their love of horses and racecars, to find strength, hope, and redemption.
Through its morbidly humorous storytelling, Wednesday tells a tale of a world divided that explores the manifestation of generational trauma in its protagonist Wednesday Addams.
I hope that more people will see Joyland, understand the situation, and eventually change themselves and society so we can have a more accommodating world where everyday tragedies like the one depicted in the film do not occur.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.
Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.