‘Still’: An Interesting Premise With Poor Execution
Overall this movie was an easy watch, but by no means a worthwhile watch.

A fiery young motorcycle racer throws away his shot at the junior championship in a reckless crash, only to receive a surprise offer from a top Moto2 team that gives him a chance at redemption. But to claim it, he must train under his estranged father, a disgraced former world champion haunted by a tragic past. As the father and son battle personal demons, media scrutiny, and a ruthless racing circuit, their fractured bond is pushed to the limit by ambition, love, and the unforgiving speed of the sport. With a wildcard entry into MotoGP on the line, they must confront the wreckage of their relationship to seize a future—on and off the track.
Overall this movie was an easy watch, but by no means a worthwhile watch.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
This groundbreaking summer blockbuster proves that diversity enhances the action genre.
Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.
I hadn’t heard of it either until recently—and yet, it’s one of the highest grossing movies of all time.
Taika Waititi writes, directs and co-stars in 'Boy', set in 1984 New Zealand. The film does just what Waititi dreamed of — it gave a great coming-of-age story to Māori people without making a story of the Māori people as an exotic other.