Goubi, the simpleton of his village in the French Department Allier, has but one wish: to see Paris. One day, the truckers Grafouillère deposit a drunk Goubi in the biggest market of Paris (the "Halles"). The poor man is completely lost, but the meat merchant Dessertine takes him under his wings when he hears that Goubi was likewise 'raised by the State'...
Serge Korber
Director
Jean Lefebvre
Goubi, le "bredin" du village
Dany Carrel
Juliette, dite "La fleur"
Bernard Blier
Léon Dessertine, mandataire en viandes et ancien de l'assistance
Robert Dalban
Patouilloux, le maire de Jaligny
Bernadette Lafont
La Berthe Patouilloux, la fille du maire
Paul Préboist
Le gardien du parc public
Yves Robert
Marcel Pitou, l'évadé des HLM
André Pousse
Marcel, le chauffeur de taxi
Jean Carmet
Ernest Grafouillères, transporteur de légumes
Albert Rémy
Rabichon, le restaurateur
Pierre Richard
Un agent de police
In season 3 of 'Umbrella Academy', Diego, Allison, and Viktor finally get character arcs that address their unique experiences as a Latino man, a Black woman who lived through the 60s, and a trans man.
'Midnight at the Paradise' premieres tomorrow at Toronto's Paradise Theatre! I had the pleasure to sit down with Vanessa Matsui to discuss the making of this film.
The tale of the Snyder Cut will undoubtedly go down as one of the most fascinating stories in modern film history. It is one of the rare times that movie fans were able to rally together and champion an issue so much so that it actually came to fruition.
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.