Goubi, the simpleton of his village in the French Department Allier, has but one wish: to see Paris. One day, the truckers Grafouillère deposit a drunk Goubi in the biggest market of Paris (the "Halles"). The poor man is completely lost, but the meat merchant Dessertine takes him under his wings when he hears that Goubi was likewise 'raised by the State'...
Serge Korber
Director
Jean Lefebvre
Goubi, le "bredin" du village
Dany Carrel
Juliette, dite "La fleur"
Bernard Blier
Léon Dessertine, mandataire en viandes et ancien de l'assistance
Robert Dalban
Patouilloux, le maire de Jaligny
Bernadette Lafont
La Berthe Patouilloux, la fille du maire
Paul Préboist
Le gardien du parc public
Yves Robert
Marcel Pitou, l'évadé des HLM
André Pousse
Marcel, le chauffeur de taxi
Jean Carmet
Ernest Grafouillères, transporteur de légumes
Albert Rémy
Rabichon, le restaurateur
Pierre Richard
Un agent de police
The tale of the Snyder Cut will undoubtedly go down as one of the most fascinating stories in modern film history. It is one of the rare times that movie fans were able to rally together and champion an issue so much so that it actually came to fruition.
I have talked with founder of Red Nation Television Network, Joanelle Romero, and the future of Indigenous representation looks bright.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
Dora is the superhero we didn't know we needed.
Knives Out doesn’t just defy the whodunit narrative, it uses the weaknesses to its advantage. It’s well aware of the genre’s faults and tropes