'Idhayakkani' is the story of the kind-hearted Mohan (MGR) whose theory of life is 'equality' and who puts it in practice by sharing equally the income of his estate with his labourers. He has another passion - he wants to serve the country - and for that, he has joined the police force as an officer. He meets a needy girl, Lakshmi, and on the advice of and elderly domestic help, he permits her to stay in his house. Tongues start wagging and Mohan decides to marry the girl. However, his happiness is short-lived. He gets the shock of his life when he comes to know that his wife is involved in the murder of a leading scientist. What is the truth? Did Lakshmi murder the scientist or is she innocent. If so, then who is the culprit? How does Mohan go about finding the truth?
Overall, 18 Presents feels more like a soap opera than a drama, and I feel bad for saying that since the concept is based off a tragic story (even though it’s loosely). I’m sure other people will find this film emotional for them, but as for me, it’s bland and forgettable.
Mahavatar Narsimha (2025) brings the epic tale of Hiranyakashipu to life with stunning animation, intense action, and a bold retelling of this timeless mythological drama.
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.
Eloquent and informative, Hajera Sheikh’s documentary Kathak: Dancing With Taboos tells a story of love for one’s culture and perseverance through adversity.
I think that the happiness and survival of "Wynonna Earp"’s LGBTQ+ characters is incredibly refreshing in contrast to the prevalence of queer suffering and death in other television.
A few episodes in, I realized the most prominent theme of In The Long Run wasn't culture, race or even finding independence--but the idea of belonging.
