'How Power Looks' — MiamisFF Review
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.

Elena, a shy and unmarried girl, belonging to the upper middle class and somewhat marginalized from the general environment, embarks on a trip to the family farmhouse one morning, and when she returns to the city that same day, at night, she is forced to take a strange woman in her car.
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
The Last Duel is about rape. Although the film delves into rape culture in medieval Europe, there are many striking similarities to modern rape culture.
While prioritizing production value over substance, Flood depicts an emotionally taut family drama set during the farmland flooding of the Franco-Dutch war.