New Documentary "Pretty Ugly" Tells the Story of The Lunachicks
As one of the women said in the film, friendship in your teens is “as important as any lover” and it’s clear they lived that philosophy throughout their early adult lives as well.

By A.D. 2010, all men have died off quickly due to a dramatic change in the environment and an unknown contaminant. The population decreased to the lowest number ever seen...until only the women were left alive. They live huddled in small corners of a world mostly reclaimed by nature. There are those who accept their inevitable extinction and live a carefree life... There are those who try to continue on the race with the help of science... It is a society of constant conflict over their differences of principles and policies. The story takes place in the center of Tokyo. It is one of the places left for them. The conflict over the specimen of ICE and the chance it may provide to save humanity begins
As one of the women said in the film, friendship in your teens is “as important as any lover” and it’s clear they lived that philosophy throughout their early adult lives as well.
Films staring black transgender actresses/actors are few and far between, it’s refreshing to see a demographic represented in film that hardly gets any attention. This is especially important as the Black trans community has been shown in studies to face the highest level of discrimination amongst general trans and non-binary groups. That is why it’s so crucial that we amplify their voices through any way we can, storytelling being a great medium to do so.
'Living' dives into many themes that we can all understand regardless of our cultural backgrounds. We can see this through the shared similarities between 'Ikiru' and 'Living'.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.
'Pariah' tells a powerful, mesmerizing, and unflinchingly honest story of identity.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.