"Nightborn" and Why We Need More Feminist Horror
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.

Taha is the son of a simple worker, but this worker took care of his upbringing until he became an engineer and owner of several factories. Taha married the daughter of one of the pashas, and after his marriage to her it became clear to him the extent of her extreme recklessness and lack of interest in her husband or even her son, and her extreme absorption in a life of entertainment. After Taha loses all his money, he, his wife, and his daughter move to live in a popular area.
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
John Walker is named the new Captain America and The Flagsmashers run amok.
"The Platform" is horror and science fiction film doubling as a visual commentary on capitalism and economic inequality. The movie is not for the faint of heart nor the viewer hoping for political neutrality in their film's depth.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
Self expression among teenagers is explored in the live adaptation of Jerry Spinelli's novel of the same name.
Mala tripped over in a company Diwali party, which led to unexpected visits and realizations.