Here is the movie for all the Clever Trevors and Billericay Dickies out there! A stunning and truly 'Rare and Unseen' look back at Ian Dury, poet, thinker, geezer and all round crowd-pleaser. He wasn't half a clever b'stard. The earliest known TV performance from the London Programme 1976. Three great interviews with much missed Mancunian Tony Wilson who died in 2007. Final Richard and Judy interview and live performance restored for widescreen. Includes eight live musical performances with the Kilburns and the Blockheads: 'Sex & Drugs & Rock & Roll', 'Sweet Gene Vincent', 'Upminster Kid', 'Rough Kids', 'Billy Bentley', 'England's Glory', 'Blockheads' and 'Geraldine'. Is that enough of the old reading matter for you? This ain't a bleeding library… Oi! Oi!
Make no mistake about it, Gilligan has created a continuation that earns its place in the annals of Breaking Bad lore. El Camino isn't a forced entry in an otherwise brilliant world of fiction. This is a satisfying take, which manages to give closure to an iconic character of fiction.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
As a huge fan of Sean Baker’s Tangerine, The Florida Project, and Red Rocket, I’ve wanted to watch Anora since before it even was released. But life got in the way, my watchlist grew, and honestly, the fact that it was marketed as a romantic comedy put me off. Even with all the critical praise and the five Academy Awards it won last year, I just kept postponing it indefinitely.
