Yuji Makita (Wakahara) came to a hot spring port town as a singer who plays the guitar. Thirteen years ago, Sanae Shimura (Miyake) was in love with him, and now Sanae works at a bar in Tokyo to support her daughter Emiko (Misorah) and elderly father Daiseki (Ryuji Kita). While waiting for her mother to return, Emiko often goes to the dock and sings a song. Yuji finds out that Emiko is his own daughter, because the song she sings was once written by Yuji himself and was known only to Sanae...
The more biting satire is reserved for those on top of the power structure, such as the police, while those occupying lower levels are given more nuance and likability, even if they operate on the wrong side of the law. This principle gives Deep Cover its heart.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
Through its morbidly humorous storytelling, Wednesday tells a tale of a world divided that explores the manifestation of generational trauma in its protagonist Wednesday Addams.
If you were to watch it on streaming when you have nothing to do, it’s still probably a giant waste of time, but you could do far worse. Paying $18 for a movie ticket and who knows how much for concessions turns this from an exercise in boredom to an exercise in frustration.
“There’s always something you can do…to make people feel like they’re welcome”
In this remake of the 1993 film of the same name, The Wedding Banquet follows the life of two queer couples as they struggle with life-changing decisions.
