A Tale of Two 'Scenes from a Marriage'
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.

Roger is a young, dashing banker full of boyish self-confidence. He has a highly successful business, smuggling black money across the border for reinvestment. But then a split second reaction changes his entire life. Flagged down one day by a customs officers, Roger loses his cool and makes a run for it. His only means of escape: diving headlong into Lake Constance, thereby catapulting himself out of his life as a banker and into a totally new universe, populated with shy mermaids decked out in Lara Croft gear, and cunning magpie witches in helicopters. As in a Grimm Brothers fairy tale, Roger has to pass three tests to cast off the witch’s curse and find happiness. His underwater journey through an intoxicatingly beautiful Switzerland is enhanced by the enchanting songs of sirens – a fable full of lust for life and love.
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.
It’s 2021 and what few LGBTQ+ films that are produced by major film studios continue to star cisgender heterosexual actors, rather than actual LGBTQ+ people.
KPop Demon Hunters took social media by storm recently—is it truly as good as people have hyped it up to be?
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.