“Vivarium” Presents Go-Nowhere Parenting
Vivarium is an uncomfortable and startling look at how easily progress devolves in the face of overwhelming stress.

This is one of the many variations on the Romeo and Juliet myth, in which young love reunites two children, Dimitris and Myrto, whose families hate each other to death. Myrto's father caused Dimitris' father to be financially ruined and, although both men are dead, the hatred of Dimitris' mother, Theophile, does not seem to fade. This time, the feeling between the two young people blooms again under the sun of Chalkidiki, where Myrto and her aunt Eleni are going on vacation. Dimitris does not seek any revenge and his interest in Myrto is sincere and guileless. The feeling is mutual, while the passions and hatreds of the past fade away under the blue sky and the hot sun...
Vivarium is an uncomfortable and startling look at how easily progress devolves in the face of overwhelming stress.
Written and directed by Rian Johnson (Looper, Star Wars Episode VIII: The Last Jedi), Knives Out was one of the most clever and intricately crafted films of 2019.
Who knew a drunken game of truth or dare could launch one of the most chaotic rom-coms of the year? The Threesome takes Connor’s fantasy night with Olivia (Zoey Deutch, in peak queen-of-indie form) and Jenny (Ruby Cruz) and flips it into a deliciously messy nightmare when both women end up pregnant. What follows isn’t cheap comedy—it’s a whip-smart, heartfelt exploration of love, consequence, and the beautiful disasters we call adulthood.
‘Bruiser’ is an intense drama that explores unresolved childhood trauma and how it can affect the people around us.
James Cameron’s The Terminator (1984) marks the beginning of a wonderful two-part arc, brimming with style and substance. The film follows Sarah Connor, a waitress living in Los Angeles. One night, a cybernetic organism (Arnold Schwarzenegger) is sent back in time to kill Sarah. A human resistance fighter (Michael Biehn) is also sent back in time, with the intent of saving Sarah from this deadly foe.
Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.