Sofia Coppola’s ‘On the Rocks’
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.

A boy lives with the last man his mother loved before she died, but a well-matched couple wants to stay with him and adopt him as their son due to their problems conceiving. Although the situation for the orphan is not the best after his mother died, little by little he will find happiness and overcome it in a water park. There he will become a great inseparable friend of the dolphins.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
'The Worst Person In The World' follows a part of life I don't see often portrayed on-screen: extended adolescence.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
'My Big Fat Greek Wedding' is a franchise built on inclusive storytelling.
How closely should film adaptations follow their source material? Let's take a deep dive into "Norma Rae", and find out.