Coming Together for 'Thirteen Lives'
'Thirteen Lives' gives a dramatic adaptation of a humanitarian triumph that captured the global imagination.

A single and apparently humdrum scene in which various days all blend into one. A couple is having breakfast in the kitchen. He is older, greyer, more anguished than she, who is light, pretty and giddy. A morning like any other, were it not for the secret fact that it would be their last together.
'Thirteen Lives' gives a dramatic adaptation of a humanitarian triumph that captured the global imagination.
An uncomplicated, family-oriented man struggles to adjust to an ever-changing world, especially after suffering a loss. Even for the early 1900s, a less complicated time in many ways than now, Robert Grainier (Joel Edgerton) is a simple man.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
Cartoon Saloon is an animation studio that should be appreciated more. They tell unique stories with unique animation, proving that 2D animation is still alive and well.
This live-action Barbie movie brings strong feminism and topics about blondes.