I Scream (1934)

'The Invisible Man' triumphs in tension even as it drops the ball on genuine surprise for the audience.

That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.

Overall, 18 Presents feels more like a soap opera than a drama, and I feel bad for saying that since the concept is based off a tragic story (even though it’s loosely). I’m sure other people will find this film emotional for them, but as for me, it’s bland and forgettable.

Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.

We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.