Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

In late-90s suburbia, a lonely teenager meets a girl at school who introduces him to a mysterious late-night T.V. show — a vision of a supernatural world pulsing beneath their own. As time goes on, however, questions begin to arise about why the show sometimes seems more real than their own lives. In the pale glow of the television, their view of reality begins to crack.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
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