‘Shaft’ (2019): The Father-Son Comedy That Cops Out
The 'Shaft' remake fails to capture Blaxpoitation's rebellious spirit.

In a small town in northern Poland, 18-year-old Majka is convinced that she is possessed. She decides to rely on the skills of a local priest to expel the demon, which doesn’t stop her from jokingly referencing William Friedkin’s The Exorcist with her best friend.
The 'Shaft' remake fails to capture Blaxpoitation's rebellious spirit.
Kat Wahlen’s The Whiteboard tells, or rather shows, a delightful love story between two young women who meet in detention.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
In a Whisper is a coming out narrative, but it’s also a story about multiple mother-daughter relationships and the necessity of family.
For those tranquil houses with white fences, what is happening behind every closed door?
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.