Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

While anticipating the arrival of a famous Hollywood star, five employees at a mediocre restaurant in London's Soho must deal with rats, arguments and kitchen-based power struggles.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
Summit Station, the longest running lesbian bar in Ohio, was one of the places that made lesbian community possible.
Ester Shapiro who flees the only home she has ever known to start a new life in Berlin.
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York
Although Fargo is not actually based on a true story, I do believe it is worth the watch. It has drama, suspense, and a mysterious figure to keep you engaged.