Poverty and the Cycle of Violent Youth in 'City of God'
'City of God' depicts the cylindrical cycle of violence that is forced upon the underprivileged.

Rap ? Violent words, a social chronicle without complacency at a time of the politically correct and a wishywashy consensus. Twenty years after its first babblings in the popular quarters of New York, rap has imposed its presence beyond the borders. Je rap donc je suis (I Rap Therefore I Am) goes around five different towns where it meets rappers driven by the same motivation. In Paris and its suburbs, Marseille and its districts, Algiers, London or Berlin, rappers move, play, record, teach... And above all, they talk. Outside of any promotional context, the present-day heralds of French hip-hop, from La Rumeur to IAM, speak about the role of rap, the environment in which it was born, boredom, the feeling of belonging to a sacrificed generation, drugs in districts of towns, immigration, parents, political and social actors, the police, school, writing, money, the parallel economy, violence...
'City of God' depicts the cylindrical cycle of violence that is forced upon the underprivileged.
Based on a true story, when his beloved dog goes missing, the owner embarks on an incredible search with his parents to find him.
That feeling in your gut which tells you that there’s something out there you should look for and make your own, is what the power represents
A Japanese anime movie that brings survival, adventure, and friendship to the big screen.
The external threat invaded the domestic environment at the most valuable moment: grieving.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.