The protagonist attends a party for new employees and misses the last train home. Eimi, a rookie employee, offers him to stay at her house. Things get awkward fast, as he has a girlfriend waiting for him, but she is proactively hitting on him.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
Two young girls meet in the same neighborhood unexpectedly as they embark on a new adventure using their imaginations as this movie brings strong representation among women.
Portraying how easy it is to be an ally heavily benefits the majority audience. The more we encourage it, normalize it, and give people the tools to become one, the sooner we can co-exist peacefully.
This delightfully odd horror movie presents a whimsically strange alternate reality to younger audiences.
This article discusses the classic and timeless franchise, The Smurfs.
