Netflix’s “Self Made”: What's Fact and What's Fiction?
Netflix takes some liberties in its portrayal of Madame CJ Walker, a trailblazing Black entrepreneur.

This story centers on the Jewish practice that requires an unmarried brother to marry the childless widow of his dead brother. In this story the younger brother is only 12 years old when his brother dies. The requirement is avoided by a legal fiction, but as time passes in the story, the situation changes.
Netflix takes some liberties in its portrayal of Madame CJ Walker, a trailblazing Black entrepreneur.
The sequel to the first film, A Second Chance: Rivals! talks about Maddy combating cyberbullying and racism.
A recent look at gender and racial diversity in film shows some signs of progress. However, white men still make up the vast majority of actors and directors in top-grossing films.
The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.
This Agni Kai looks cool and is funny as well!
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.