
Mabel is unhappy with her life and needs a change. She leaves the Midwest for Hollywood to find the man of her dreams. Brad? Nope. George? Ugh. Eddie? You bet! Because nerds need love, too.
Americans love the British monarchy. This may seem confusing because only a few short hundred years ago they were our worst enemies, and every year we celebrate our independence from them. The Crown humanizes the monarchy, which might explain its popularity.
An indie production of a romantic drama with a country-western feel meant to explore lost love.
I hadn’t heard of it either until recently—and yet, it’s one of the highest grossing movies of all time.
“There’s always something you can do…to make people feel like they’re welcome”
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.