The crook couple Peter and Gwen have run away from Germany and are dreaming of a sweet life on Mallorca. During a break-in at the villa of multimillionaire Walter Ekland, Peter discovers by chance that the old man is using a detective agency to find his son, who was given up for adoption years ago. Ekland has never seen his supposed last family member and heir and therefore does not know that he has long since died. Peter sees the great opportunity of a lifetime. He assumes the identity of the lost son in order to get his hands on the big money. But the unscrupulous Decker, a private detective who was tasked with finding Ekland's real son, discovers the fraud and blackmails Gwen and Peter...
Eventually, “Hobbs and Shaw” introduces us to a Samoan community. Clearly, Johnson’s Samoan roots are on display. Quite frankly, I found this section of the film very intriguing. The “Fast and Furious” franchise has a solid track record in the diversity department
The 'Shaft' remake fails to capture Blaxpoitation's rebellious spirit.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
‘Exhibiting Forgiveness’ seeks to ask one question, “What do you do when your parents are the source of your pain?”
Taika Waititi writes, directs and co-stars in 'Boy', set in 1984 New Zealand. The film does just what Waititi dreamed of — it gave a great coming-of-age story to Māori people without making a story of the Māori people as an exotic other.
