“Primetime” and Emptiness
This is not McDonald’s. This is something different.

In London a young lady meets a homeless and apparently penniless Russian prince. She introduces him to her middle-class Fulham family and he moves in. It turns out he still has a number of diamonds given him by the last czar, and he is persuaded to start selling them. The resulting money, and his princely notoriety, soon cause changes in everyone's lives.
This is not McDonald’s. This is something different.
The 'Hawkeye' season finale features all kinds of cool characters and resolves its loose plot threads efficiently, yet it's lacking when it comes to the vital development of its characters.
Nope succeeds tremendously in dealing with higher concepts in an engaging and highly entertaining manner without sacrificing theme or personality.
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.
Initially feeling like a passionate group having a bit of harmless fun with filmmaking, it leads to something sinister enough to leave a mark.
Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.