Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Mourning the loss of her father, who committed suicide, Mackenzie starts having hallucinations of killing people. They seem so real that she's convinced she's been committing these crimes; however, she can find no evidence to support this. Is she losing her marbles, or is there something sinister at work around her?
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
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