Star Wars Episode VII: The Force Awakens…Safe Start to a Promising Sequel Trilogy!
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.
I Hate But Love
A celebrity, dissatisfied with his personal and professional lives, impulsively leaves fast-paced Tokyo to deliver a much-needed jeep to a remote village. When his controlling manager, the woman he loves, follows, the two must reconcile while dodging reporters.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
A celebrity, dissatisfied with his personal and professional lives, impulsively leaves fast-paced Tokyo to deliver a much-needed jeep to a remote village. When his controlling manager, the woman he loves, follows, the two must reconcile while dodging reporters.
Rating:
Genre:Comedy, Drama, Romance
Written By:Nobuo Yamada
In Theaters:
Box Office:
Runtime:105 minutes
Studio:Nikkatsu Corporation
Articles You May Like
‘Viral’ Review: Ignorance is a Dangerous Thing
Throughout the film, Kate desperately tries keeping her status as an influential YouTuber; however, her follower and view count crumble, mirroring the world around her.
"Coming 2 America’s" Subpar Feminist Subplot
The movie makes it abundantly clear that Meeka becoming an official heir is the most likely going to happen. But if you are expecting to see a movie about Meeka’s perseverance and eventual ascent to the throne, prepare to be deeply disappointed.
How The Suicide Squad's Polka-Dot Man Helped My Anxiety
The Suicide Squad's Polka-Dot Man aka Abner Krill, played by David Dastmalchian, helped me come to terms with my own issues of anxiety.
'Love, Victor' Season 3 Review: Disney+ Means More Disney Fluff
This Pride month, Hulu’s 'Love, Victor' comes to a close with its third and final season—it’s most complicated yet sweetest season yet.
"The Roses" (2025) Film Review-Marital dysfunction offers plenty of hubris AND humor this time around
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.