Media as the Evil in Eddington
Eddington attempts to capture how media is intertwined with the uncomfortable present.

In 1986, six hopefuls awaited their turn on New Faces, the popular TV talent show. Among them were comedians, singers, a teenage violin prodigy, and a Birmingham club crooner. New Faces had launched stars like Victoria Wood, Jim Davidson, and Les Dennis. For these six contestants, it was a night that changed their lives in unexpected ways. Their subsequent 25 years involved tangled love stories, international drama, a business collapse, an appearance in Britain's Got Talent semi-finals, and even prison and homelessness.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
The iconic title character stars in her own horror and gothic TV series.
The major flaw of the series is that it’s hosted on Netflix and barely makes malicious comments about it despite being focused on the lives of people directly affected by the Capitalist mentality of the OTT corporation.
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