'Kizazi Moto: Generation Fire' - Mhkuzi: The Spirit Racer
The second episode of the highly anticipated Afrofuturism series delivers with a high-speed race teaching us to go far beyond just accepting ourselves.

An actress visits a university hospital for research and mistakenly believes she has only six months to live. Having grown up alone with no family grave, she is shocked by the words of a film crew member and decides to search for a grave befitting a famous actress. She disguises herself and joins a bus tour organized by a cemetery company.
The second episode of the highly anticipated Afrofuturism series delivers with a high-speed race teaching us to go far beyond just accepting ourselves.
A throwback to the last months of the 20th century in this comedy film.
Knives Out doesn’t just defy the whodunit narrative, it uses the weaknesses to its advantage. It’s well aware of the genre’s faults and tropes
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.
When a group of White women are invited to dinner by an Indian woman and a Black woman to talk about race in America, sparks fly.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.