The Bizarre World of PN & Friends Episode 30: Reboot
“Reboot” is crass and sometimes incoherent, and has much room to improve, but with investments of time and care, could flower out of the seed of a vision.

In school, Wang Hsiao-hsia and her childhood friend Yuzu are seen as a couple, but Hsiao-hsia secretly longs for the transfer student Cheng Yih. Cheng Yih, admired for his exceptional grades, talent, and fighting skills, captivates her heart. Despite her poor academic performance, Hsiao-hsia tries various methods to win his affection, but nothing works. Unbeknownst to her, Cheng Yih harbors feelings for Hsiao-hsia as well. Meanwhile, Yuzu, fiercely protective of Hsiao-hsia, is wary of anyone trying to get close to her. As summer arrives, a fragrant first love begins to bloom among the three of them, reminiscent of lemongrass.
“Reboot” is crass and sometimes incoherent, and has much room to improve, but with investments of time and care, could flower out of the seed of a vision.
My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.
(Disclaimer: Harmful Language) In celebration of Pride Month, Father's Day, and father figures (and whoever supports you), I revisit Moonlight's brief but spectacular character, Juan. With overarching themes tied to masculinity, I reexamine his intimacy with Little.
This Japanese Anime movie is about Kanna, a young girl who sets on a quest across Japan to discover her true identity.
Mahershala Ali and Naomie Harris, with an economy of language, but a world of expression, weave us inside this futuristic tale of how your “one true love” may exist in the future in Benjamin Cleary's 'Swan Song.'
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.