Connie (Louise Glaum) is married to attorney Robert MacNair (Mahlon Hamilton). When he leaves town on a business trip, her friend from the old days, Molly May (May Hopkins), invites her to a party. Connie, who misses her old life, decides to go under an assumed name. Teddy Garrick, the host (Joseph Kilgour), makes a play for her and she burns her shoulder trying to get away from him. Dillon, a burglar who is hiding in the house (George Cooper), surreptitiously presses a gun into Connie's hand from behind a curtain. As Garrick comes toward her he is shot dead.
I first saw Dear Evan Hansen on the Broadway stage. Apparently, I was so blown away by the magic of theater that I didn’t pick up on the questionable dynamics. The story's clumsy handling in the movie brought those issues to light.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.
"First Day" is a trans kid slice-of-life tv show that brings desperately needed diversity to coming-of-age stories in mainstream media. Here's a show that get's it right by having a trans actress in a story centered on trans girlhood.
2026 ranks highest in Oscars history for its representation of minorities in all categories, and that’s definitely something to be celebrated.
Facing the world with our fair share of uncertainties and/or apprehensions, many of which, sadly, may be well-founded, is nothing to sneeze at. Influenced and buffeted by the constant barrage of social media, fake news, and general upheaval present in our contemporary reality, what IS real and what's not becomes a blur.
