Alfred Dreyfus, a German-Jewish captain serving in the French Army, is falsely accused of treason and made a scapegoat for military espionage in an act of institutional anti-Semitism. Sent to prison, he becomes a cause célèbre for the novelist Émile Zola, who dubs it the "Dreyfus Affair." Eventually, Dreyfus is pardoned when the military cover-up is made public, and he returns to France. But his name is forever tarnished by the accusations of treason.
José Ferrer
Director
José Ferrer
Captain Alfred Dreyfus
Anton Walbrook
Maj. Esterhazy
Viveca Lindfors
Lucie Dreyfus
Leo Genn
Maj. Picquart
Emlyn Williams
Emile Zola
David Farrar
Mathieu Dreyfus
Donald Wolfit
Gen. Mercier
Herbert Lom
Maj. DuPaty de Clam
Harry Andrews
Maj. Henry
Felix Aylmer
Edgar Demange
Peter Illing
Georges Clemenceau
On the Road captures the bleak, hyper-masculine world of long-haul trucking in Northern Mexico, where anything can and will happen. A hard-boiled, neon-noir romantic thriller, it shows the gritty reality of roadside diners, truck stops, and truck cemeteries alongside the expansive, breathless beauty of the Mexican desert highways.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
The roaring emotional ride that was the season four finale sets June on a new path: more of a Survivor's Journey.
I like discovering something new among the old and Tubi has an assortment of horror films from cinema's past for just such an occasion.
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.